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  Gore Vidal’s literary philosophy— “All fiction is by definition conservative,” ripples across the canon. 💭 What Did Vidal Mean? When Vidal said fiction is "by definition conservative," he wasn’t exactly talking about political conservatism , though he enjoyed rattling those cages. He meant that fiction as a form tends to uphold structure, narrative closure, and the illusion of coherence in a world that is often chaotic, contradictory, and absurd. Here's how: Narrative Structure = Order : Most fiction—especially the traditional novel—follows a pattern: introduction, rising action, climax, resolution. Even chaos is carefully organized. That very act of imposing form is a conservative gesture, Vidal thought, because it tames life into something digestible. Closure = Consolation : Fiction usually ends with a resolution (even tragic ones). That’s comforting. It’s neat. It implies that problems can be solved, characters understood, and meaning found. Life isn’t lik...
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  he Subway Beneath Us: A Tragic Farce in the Heart of Toronto The train doors groan open, revealing a tableau of the city’s finest contradictions. Here, in the subterranean belly of Toronto, an unspoken economy thrives—a silent exchange of inconvenience and indifference. The subway, that great equalizer of the modern metropolis, now serves as a theater for the displaced, the desperate, and the eternally ignored. The seats, once coveted for their rare availability, are now claimed by those who have no alternative but to make a home of transit and transit of home. The city above has spoken in vague resolutions and colder policies, but the tunnels below hold their own truth: here, homelessness is not a matter of statistics or political maneuvering—it is tactile, immediate, inescapable. The morning rush is accompanied not just by the scent of caffeine and exhausted commuters, but also by the unmistakable perfume of survival: the layered fabric of coats worn for weeks, the musk of a ni...
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